Stefano Zardini was born in Cortina d’Ampezzo and grew up surrounded by film rolls and darkroom processing in a family of photographers. The first to take up the profession was his grandfather, who opened a photographic atelier in Cortina’s main square in 1892. His grandmother Antonia became a war photographer and documented the First World War, while his father followed the Italian campaign in Russia on assignment for the Istituto Luce.
Stefano studied photography in Milan and London where he specialized in portraits and reportages. He began his career as a freelancer photographer, publishing in fashion magazines, such as Vogue and Harpers Bazar, as well as several geographic, sports and architecture magazines including Airone, Bell’Italia, Condé Nast Traveller, and AD – Architectural Digest.
But soon his focus turned to photo-journalism. In the early 1980s, accompanying the International Red Cross, he entered countries that were still closed at the time, such as North Vietnam and began his reportage work in Oman, South Yemen, Saudi Arabia and Albania. Since then, his photographs have documented wars and humanitarian crises in more than around the world.
Recent reportages document drug trafficking in Central Asia along the border between Afghanistan and Tajickistan; poverty and decay in the outskirts of Moscow; labor exploitation and prostitution in India; living and working conditions on offshore platforms in the North Sea; and gas extraction in Siberia and Kazakhstan. His photographs have been published in magazines including Sette del Corriere della Sera, Panorama, L’Espresso, Max, Time Magazine, and Der Spiegel.
In 1995, on United Nations’ assignment for its 50th anniversary, he produced a solo exhibition on human rights violations worldwide, inaugurated at the United Nations Palace in Geneva. A photographic project on the working conditions of Dalits and prostitution in India was awarded and screened in 2008 at the International Festival of Photojournalism in Perpignan – Visa pour l’Image.
His innate passion for photographic art has led him to gradually set aside the documentary style and devote himself increasingly to Fine Art photography. His work is highly appreciated for the personal and rarefied style of his research.
In 2004, he opened the Ikonos Art Gallery in Cortina d’Ampezzo, where his own collections as well as works by renowned Italian and international photographers, were exhibited, in collaboration with other photographic art galleries.
He has held 35 solo photographic exhibitions and his works are included in several private contemporary art collections.
Over more than 25 years of work, he has produced 40 films, including short films, adventure and sports footage, and advertising commercials, and has published 31 photography books. His photographic archive comprises over 180,000 images, which have become part of the family’s historical archive.